Véronique Chagnon Côté

Sous ses yeux de pierre: Véronique Chagnon Côté and Élise Lafontaine

The everywhere filigree of enpencilled architectural guidelines throughout Côté’s work suggest the work is, in some ways—and in contrast to instances of exquisite, even masterful detail—half-imagined, or, if you’d prefer, half-dreamt, akin in space to the swirling translucence and precise geometry of a dream partially inhabited at waking.